HarryMoseby(GeneHackman),aworn-outprivatedetective,ishiredtolookfora16-year-oldgirlwhohasrunawayfromtheluxuryhomeofhermother,formerlyasmall-timeactressinLosAngeles.Themorethewearycynictriestogetunderthesurfaceoftheseeminglysimplecase,theharderitisforhimtofindhisbearingsamongtheliesanddeceptionsthatsurroundhim.EightyearsafterthekeyNewHollywoodfilmBonnieandClyde,ArthurPennandGeneHackmanreunitedtocollaborateonwhatwastobecomeoneofthemostundervaluedfilmsofthedecade.LikePolanskiinChinatownorAltmaninTheLongGoodbye,inhisrevisionistfilmnoir,Pennalsoallowsthe1940sclassicgenretopervadethecomplexrealityofthe1970s.ThefeelingsofbitternessandemptinessinthemodernChandleresqueprotagonistoriginatenotonlyinthe“public”sphereofthestrange,increasinglyconvolutedcase,butinhisprivatelifeaswell(boyhoodtrauma,abrokenmarriage).AsMosebyremarksofasportingevent,“nobody’swinning…onesideisjustlosingslowerthantheother.”
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已有3位网友发表了看法：
访客 评论于[2025-12-2106:18:55] 回复
夜行客，夜幕下的探险者，探索未知之路让人不禁好奇且向往。
访客 评论于[2025-12-2106:22:04] 回复
夜幕深沉，步伐不停，夜行勾勒出寂寥街头的深意神韵。
访客 评论于[2025-12-2200:03:00] 回复
夜行客，深夜的旅者展现独特韵味和勇气探索未知的旅程。